A Bevy of Yule cards

by Cari on 12/05/2016

in Calligraphy

Yule cards display

A wise friend once suggested that a nice way to fill the well when feeling sidelined was to look at past work. And it’s customary toward the end of the year, and on one’s birthday, our personal year, to “take stock” and look back on the triumphs and trials of the past year. The trials, tedious as they were, are not the subject of this journal. Suffice to say, they kept me from my art studio most of the year and away from that particular strand of my creative life.

It’s gratifying, to say the least, to see the fruits of past labors and to gather some of them together for a family photo. The cards pictured here are a significant harvest of the last three decades. They were popular enough for me to invest in offset printing them, some of them multiple times. They still sell in retail outlets and at Revels shows around the country in December.

This crop of Yule cards is available over at the Prose and Letters storefront, some of them in limited quantities. They are available as singles, or more economically in 6-packs, to mix and match, or in 10-packs of the same design for the best price of all.

I’ve shared in this journal some of my inspirations and art techniques that led to the making of some of these cards, in particular, The Longest Night, The Horn Dance, Yule, Dona Nobis Pacem, The Holly and the Ivy, and Let Union Be, (and again here).

Many of these cards are approaching “limited edition” status. The writing is on the wall, so to speak; the greeting card market is changing. It won’t make sense for me to print these cards in such large quantities anymore. Sales have been slowing down in recent years, though people seem to be buying more prints as gifts. The evergreen favorite, Fra Giovanni’s “Letter to a Friend”, is available here, as well as many others.

Though it’s becoming old-fashioned to send cards in December, Yule cards are still a nice way to greet friends and share a little bit of art and verse.

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Soul Tending

by Cari on 11/13/2016

in Writing

Ring The Bells_Leonard Cohen

This week, I have had few words. I have felt such a deep sense of despair it borders on catatonia. I am tending to my soul, and doing all the right things to begin to heal the shock and disillusionment that have threatened to sink me, and so many of us. My time-tested way to deal with trauma is to seek out words to frame it. In framing it, I think I find a slight remove from the raw feeling. Many writers are following the same course, and many who I follow have offered me succor and sense. So I read, and move, and breathe, and stay in my body, and gather with friends, and write. Here I share a few writers with you who I have found especially helpful for dealing with fear and despair.

A compassionate counselor in an online Hillary group shared this excellent list of tips to help yourself with stress, if you are having trouble with extreme anxiety, if you are surrounded by abusive people, or if you are just still strung out about this election. Please visit the link if you need help. Take care of yourself.

A simpler version of this is here: why staying embodied is so very important, for all of us.

One of the wisest writers I know, Rebecca Solnit, has responded to this national trauma by making her book, Hope in the Darkness, available as a free e-book to download at this link. I have shared excerpts and sent paragraphs to friends when hopelessness overtakes them. It will hearten you, and help you see a way forward.

The powerful Alice Walker writes on the importance of studying and learning, now more than ever.

The wise and wonderful Joanna Macy writes of the Great Turning and the power of grassroots movements, one of the great social revolutions of our time. This offers some ideas to consider now.

I visit hecatedemeter, an eloquent and passionate blogger, when I need an infusion of searing truth and sometimes fiery anger. She never fails me, and just reading this made me feel a little better.

And finally, saying farewell to the bard Leonard Cohen. Brain Pickings is one of my favorite places to visit for wonderful writings about writing and reading. A sanctuary of sorts. The selection of his lyrics and musings about the creative process, including our “laboratory of democracy” is well worth a read.

Good writing is often a lifeline for me, and these writers have helped keep me afloat this week. I share them with you in the hope that it may also be so for you. Go well, stay well, and keep the faith, tribe.

 

p.s. The art above is a piece I made about a year ago; it is paper painted red, gilded and then inscribed with the words through the gold leaf. I regret now that I did not include the attribution, but it is from a Leonard Cohen song called Anthem. Full lyrics here, and many of his other songs. You could begin your study with just reading this brilliant writer’s lyrics.

The birds they sang 
at the break of day 
Start again 
I heard them say 
Don’t dwell on what 
has passed away 
or what is yet to be.Ah the wars they will 
be fought again 
The holy dove 
She will be caught again 
bought and sold 
and bought again 
the dove is never free.

Ring the bells that still can ring 
Forget your perfect offering 
There is a crack in everything 
That’s how the light gets in.

We asked for signs 
the signs were sent: 
the birth betrayed 
the marriage spent 
Yeah the widowhood 
of every government – 
signs for all to see.

I can’t run no more 
with that lawless crowd 
while the killers in high places 
say their prayers out loud. 
But they’ve summoned, they’ve summoned up 
a thundercloud 
and they’re going to hear from me.

Ring the bells that still can ring …

You can add up the parts 
but you won’t have the sum 
You can strike up the march, 
there is no drum 
Every heart, every heart 
to love will come 
but like a refugee.

Ring the bells that still can ring 
Forget your perfect offering 
There is a crack, a crack in everything 
That’s how the light gets in.

Ring the bells that still can ring 
Forget your perfect offering 
There is a crack, a crack in everything 
That’s how the light gets in. 
That’s how the light gets in. 
That’s how the light gets in.

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All Hallows Eve

by Cari on 10/31/2016

in Wheel of the Year

Hallowmas altar

Hallows

Dear ones
Your mute voices clamor in my ear
Thin fingers pluck at my hem
Your dry tears clot my throat
I bear your unquiet loss.

I light the candles
I call the directions
I bring the flowers
I keep the faith, the waste, the plaint
I give the breath, the blood, the bone

It is for me to write
Your untold stories
But the ink runs out
I write words with air.
I carry you and I lay you down

You are dust now
Shades that flicker behind my eyes
This body has its own riddle to solve
Rest you now. Rest.

In the dim light, at the dark moon
I tarry at the crossroads
Wrap my holy heat close
And dance in all the worlds

- Cari Ferraro

Cauldron

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“Poetry arrived …”

by Cari on 09/22/2016

in Wheel of the Year

Autumn Equinox calligraphy

The autumn equinox arrives today. The great wheel of time turns. The darker half of the year draws near, whether we will or no. And as sometimes happens, “I was summoned, from the branches of night …” by an old friend.

Hear

Moving through
this scaffolding of days
Holding solace in dreams
and murmurs of memory
I wander through the house
the shadows and sawdust
the bones of old desires
And I wonder
Where is the bliss? The old fire?
So quiet now.
But listen:
a small sound says
here.

- Cari Ferraro

with thanks to Laurie Doctor for her musings, and always, the great Pablo Neruda

 

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Lammas Altar Corn Husk Dollies

It’s Lammas time again, the first of the three harvest festivals and the one that especially honours the bread and the brew.  My altar has artwork for the body of grain, bread art representing the female and male principles, two favourite corn dollies made by my daughter when she was young,  a favorite framed harvest photo, a favorite piece of rock art of the Hunter/Shaman from the Four Corners area of the Southwest, a copper etching of another ancient spirit  from Sweden, the visage of the Green Spirit as a mask (another art offering from my talented daughter), and fragrant juniper freshly pruned from a tree in my courtyard.  And always, my rock friends and a string of stars.

Lammas Altar Corn Husk Dollies

And a journal page from last year in which I explored some versal  letterforms.

Tending an altar, lighting a candle, arranging my symbolic things, these are all a form of solace and centering for me.  And I have long thought of my journal as a kind of personal sacred space, an altar. It’s a place where I can explore, sort, honor, and comfort.

The fact is, I’ve been struggling with some medical issues.  It doesn’t really matter what they are, but my mobility and freedom are restricted right now, so building an altar is my solace, when I can’t spend time in my garden.

This is my offering for this turn of the wheel. Writing these posts helps to keep me connected to my practice and to you all.  My gratitude to you for reading.

 

A heartfelt postscript:  I am so moved as your responses come in; thank you. I am always selective about what I share, and that almost never includes vulnerability or physical challenges. But I should know by now that I have nothing to fear by doing so, and everything to gain.  I can’t say this any better than a  great wisdom teacher, Rachel Naomi Remen: “Wounding and healing are not opposites. They’re part of the same thing. It is our wounds that enable us to be compassionate with the wounds of others. It is our limitations that make us kind to the limitations of other people. It is our loneliness that helps us to find other people or to even know they’re alone with an illness. I think I have served people perfectly with parts of myself I used to be ashamed of.”  So this, this caring and compassion from you, enlarges  and enriches my harvest of healing. Deep gratitude.

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Her Story

by Cari on 07/28/2016

in Herstory

Hillary, Chelsea, Dorothy

Herstory. Her story.  It’s been a long time since I wrote a post in this category. But this week a woman’s story is a central narrative. The Democratic National Convention  gathered to applaud and nominate Hillary Rodham Clinton to be the first Madame President of the United States. A daughter, a mother, a grandmother.  I have been pretty much beside myself with excitement this whole election season. Today is the culmination of a rugged primary season. In November we’ll be seeing an even better one. Tonight we are all smiles, and no words, just tears.

So for words, I transcribed these from the video that did not play at the convention but which was made to honor Hillary’s mother, Dorothy, a litany of the women who inspire and lead us (do follow the link and watch it, I was not able to embed it here):

“. . . she’d be the first to tell you she did not do this alone; she did it by standing on the shoulders of so many women who came before. Standing on each other’s shoulders is how our gender has always moved forward, be it through biology  or inspiration. Tonight we say thank you to Harriet Tubman, Amelia Earhart, Margaret Chase Smith, Eleanor Roosevelt, Rosa Parks, Harper Lee, Bella Abzug, Sally Ride, Maya Angelou, Dolores Huerta, and Geraldine Ferraro, all heroes of Hillary Rodham Clinton. But certainly no one inspired her more than one tiny unbreakable eight-year-old whose own dream of all little girls being valued rests on the shoulders of her daughter now.

“Tonight we say thank you to all the women who would not take no for an answer: you dreamers and schemers, you rabble-rousers and hell-raisers, you petticoat abolitionists, you chain-smoking pants-wearing exhibitionists, you educators, agitators, and aviators, you risk-takers, you rule breakers, you unlikely heroes, you white-gloved, teacup-serving Mrs. John Does, with your homemade soap boxes and your brazen public rants, you lady pals, and career gals, you I’ve-got-big-plans smarty-pants. To all the men who marched for our cause, thank you, friend, for showing the world what a real man does. Thank you to all you highflying death-defying ladybirds, you crazy ocean-swimming maniacs, you dazzled us with your impossible dreams and then you turned them into facts. When you were knocked down, you got up. When others said stop, you said go. When they said quit, you said no. Thank you for your breathtaking patience, and you-ain’t-seem-nothing-yet audacity. Thank you for showing us how good courage can look, carrying a purse and wearing a pillbox hat. Thank you for teaching us, from Annabel Whitford to Laila Ali that little girls can also float like a butterfly and sting like a bee. Thank you to all the mothers for endowing us with such glorious new recruits to fight the battle that is not over yet. And speaking of multiplying thank you for giving birth to entire human race. The journey of women, like America’s journey, is always evolving toward equality and social justice. Our trajectory, like that another indomitable female, has always been up. How  far can we go? It appears the sky’s the limit. But one thing is for sure: if Dorothy Rodham’s daughter has her way, every little girl and boy who dares to dream will be coming with us.”

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Journal signatures and cover paper

This year’s journal has arrived in summer, now opposite from the beginning of the calendar year. But since I observe time in a circular way, any day on the wheel of the year is the first day of the year that will follow.

Journal - emergent pages and inclusions

As usual I begin working on the pages long before they are bound into a book. I like carrying the nascent journal around for a month or two, before joining it to the remaining blank signatures in an actual book.

Journal signatures and punched spine holes

I choose a longstitch binding, one I learned many years ago from Carol Pallesen. Usually I use soft leather, but a dive into the flat files unearths this strip of Arches hot press watercolor paper, paste painted a vivid blue. It is exactly the height of the pages, apparently meant for just this journal.

Journal - longstitch binding sewing holes jig

The jig for sewing stations is made by careful measuring, equidistant marking, and consideration of all the bits I stuff between the pages every year, so not too tight. I make the holes with a Japanese push drill and a 1 mm bit.

Journal - long stitch binding with kettle stitch

The first kettle stitch  is sewn backward from the second into the first signature, before moving ahead to the third signature.

Journal - sewing the kettle stitch

Thus the kettle stitch establishes a kind of bridge between every other signature, giving a greater stability to the sewn structure.

Journal wraparound paper with leather strap closure

The strap is best threaded through the scored side of the long back cover; allowing the wraparound to either overlap the front cover, or tuck underneath it.

Journal - leather strap knotted

Here is an inside view  of the strap construction.  For a tutorial on how to make this kind of closure go here.

Journal -  leather strap wrap closure

The journal is bound and wrapped, ready to go.

Journal - open pages

Most of the signatures are wrapped with a decorative paper, allowing for folds and pockets. The writing paper is a Zerkall text weight with a lovely velvety vellum finish.  It takes pen calligraphy beautifully, as well as some of the wetter media that I like. A paper towel on the still-damp paper and a light weight help relax the pages flat again.

Journal - sideways writing on gatefold page

Exploring the meaning of revision by radically revising my original entry, I block it out with dark Intense pencils, and add a list of synonyms with a gold gel pen.

Journal desk

The desk at Lammastide brings out journals old and new. A tarot reading for the workspace: 4 of Swords, for my time of retreat and rest; 8 of Pentacles, for my ever present craft; Knight of Wands, for the the restless creative urge. I’m quite fond of my summery journal, blue and white. It is a kind of refuge, a private place for catching stray bits of meditations, dreams, and ponderings.

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Alice Book_Page Spread

I am so excited to share news of a luscious new publication celebrating the work of one of my very favorite people, Alice. I wrote about Alice’s effect on my career a few years ago. So of course I am delighted that her fifty-plus years of unflagging excellence in the production of freelance calligraphy is being showcased in a fine new book.

Because it seems that to make anything of quality these days you must first crowdfund it, that is exactly what lettering artist and type designer Jerry Kelly is doing, over at Kickstarter, for the rest of this month. In what may be a rare occurrence outside the realms of rock and roll, the book of Alice reached its funding goal in under a week after its initial public offering. But there is still time for you to contribute to this worthy project. Extra funds collected are helping with production costs and giving this book some extra sheen.

Most of the higher-level rewards have already been snapped up, but the first level deluxe edition includes ten of Alice’s teaching charts. To my mind this is the best reward of all for contributing to this project. If you never had a chance to study with her, these charts will go a long way toward correcting that. Alice never did publish an instructional book, so this is the next best thing.

Alice Book Exemplars

Alice, by gender or generation, has never spent too much energy “tooting her own horn.” At long last, she is able to enjoy the rest of us doing it for her. Her immaculate calligraphy and inspired designs will make this book a true collector’s item, and a welcome addition to any serious student’s bookshelf.

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Summer Solstice Journal Page 2015

Summer seems to touch on a time out of time, when we cease our striving and doing, for a few moments, and simply be. My to-do list is slowly becoming my to-be list. Like the sun in the sky, I too seem to stand still.

Summer_Solstice Altar

At midsummer I feel a sort of threshold: looking back, looking forward, centered in the year. Even as the days grow hotter, they also soon begin to grow shorter as we begin the long journey toward that other threshold at Yule, winding in and out of the labyrinth, over and over again.

Summer_Sage Rose Lavender Bundles

Summer June Moon Page

Now is the holy time to gather my herbs and make medicine, to finish an old journal and begin a new one, to read the tarot for its mysteries and magic, to retreat to the waters and the wild at Wilbur Hot Springs for a few days of bliss, to slow down. In simply being, there is much solace and rest.

Summer_Sun MoonTarot

There is so much LIGHT. And this year both sun and moon shine so brightly on summer solstice, that both day and night are filled with illumination.

Summer_Mugwort Sunrise

Wilbur Mineral Water

Bliss 2016 journal page

May we all blessed be.

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Believe In The Magic Of Kindness_screen

It is easy to forget that kindness can help to ease difference of opinion and lessen hatred. In these days of political discord at best and outright terror at worst, I can’t pretend that a little calligraphy will do anything to change that. Sometimes all we can do is try to add a little beauty to the world.

I begin with black ink on white paper, very old-school. I do the line work on an overlay – a translucent sheet of paper – and then scan it all into my MacBook Pro and composite the final artwork in Photoshop. This kind of flourishing is sometimes called “cabbage” by scribes. It is very fun to do but very easy to overdo. As decorated as this word is, I started out with more “cabbage” and pared it down. Each letter’s line work references the letter.

Magic Of Kindness_sketch

I created this as my contribution for the 2017 Heart to Heart calendar. You can read a little more about this long-running project here, or see some of my other work for it here.

May we all have a bit more of the magic of kindness in our lives and share it with those around us.

 

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